Reading Popular Literature Interlude 1: The Romance Problem
This article is part of my series Reading the History of Popular Literature.
While I've made an effort to be inclusive about the genres I read in this series, you may notice one obvious omission: Romance novels. So why would I exclude a whole genre? You'd think any attempt to cover the history of popular fiction would have to include one of the most popular categories of books of them all.
I guess I just never got past the stereotype of the romance genre as porn for middle aged suburban house wives (as opposed to erotica, porn for the more adventurous, urban woman). When a pre-teen, before the Internet exploded, I used to sneak into the romance section of the library and page through the books looking for the sex scenes, simultaneously getting horny and giggling at the language ("his turgid manhood thrust into the triangle of my femininity" etc.).
And yet, it's not as if I don't like romantic story lines; I actually like them quite a lot. And I certainly don't have anything against a good sex scene. I've also read people talking about romance as a real genre, one every bit as respectable as mystery or science fiction. But I don't know where to start. Barbara Cortland and Danielle Steel, who are both on the best-selling all-time writer list, seem kind of execrable.
So I turn the matter over to you, my readers. If you've been reading my essays so far, you know something about my taste. Recommend me something in the romance category. Fantasy or paranormal romance are perfectly acceptable, as are more realist fare. Just as long as there are characters with more than one dimension, a premise and plot that aren't insulting to my intelligence, and a style that doesn't make me want to claw my eyes out. Prove to me, if you can, that my long held prejudices are wrong.